There were two things that I was trying to capture in this portrait: (1) the truly epic proportions of Matt’s bed head, and (2) his facial expression – which combines a sleepy acquiescence to it, and the laissez-faire, self-deprecating seriousness with which he stands there, displaying it in all its glory. To me, that is what made it so funny.
I must admit that I failed on both accounts; but – ah, well – it’s my first oil portrait of a person, and I had a blast doing it.
I still need to do the glasses, so it’s drying, for now.